Blind, Not Blind, Judged, Not Judged.

Jesus healed many blind people, often in different ways; by word, by touch, even spit. The blind person in these verses regained his site only after he left Jesus and washed his eyes as instructed. Jesus was not even there at the moment he first could see! Only later running into Jesus again do we get this dialog.

Upon seeing him again later, Jesus asks him if he believes in the Son of Man and he answered “Who is he sir? Tell me so that I may believe in him.” He responds to Jesus’ question with an admission of his own ignorance but with an open heart – the total opposite of the Pharisees.

In this reunion, encounter, there are nearby Pharisees (no surprise there, they seem to always be keeping a close watch) that hear Jesus say “…I have come into this world, so that the blind will see and those who see will become blind.” The Pharisee answers, “What? Are we blind too?” A rhetorical question meaning – “you’re not saying I don’t understand spirituality!” and laughing.

The ending is fascinating. Jesus seems to say, God does hold all people accountable – but – (“If you were blind, you would not be guilty of sin;”) those who come to God in humility, admitting weakness and seeking truth, are met with grace and forgiveness – judge on that standard VS. the proud, those who are wise in their own eyes, who claim to have spiritual sight, (“but now that you claim you can see, your guilt remains.”) will be judged accordingly – by their own standard? You could write a whole book in this closing verse!

Regardless…We are all sinners, called to repent with humility as Jesus’s sacrifice has paved the way for our acceptance in Heaven with Him for eternity.

Untitled – Man Reaching

When my dad originally introduced me to these paper paintings, he described them as an outlet when he could not think of something to put on canvas. Dad uses these paintings to express his feelings and his current emotions, on paper, he can do this in a casual manner. I have always been in awe of people who can express their thoughts or feelings using art, music, or words. This painting in particular would be something that I would paint to express my feelings more than I am comfortable admitting.

I imagine the man in this painting to be a confident man only moments before this picture was captured. Confidence is built on a foundation of past successes and trust in your ability to continue your success. However, sometimes this confidence can be shaken or even vanish, the foundation falling away leaving the individual feeling naked and afraid. The man has lost the ground he was standing on and is now grasping for air, anything to keep him afloat.

This painting does not show what led this man to his demise, but offers us clues into the path that he took. There seem to be black scratches all along the man’s arm. The man has gone down a path that has left him scars across his arms, but based on the amount of scratches, he seems to have ignored the pain or ignored the ability to change paths. If he is anything like me, I assume the man blamed the world for these scratches, not beleiveing that he couldve made a mistkae in his direction in life. The “confident” man does not admit wrongdoing or failure, he has constructed a world where he is all knowing and the world was created for his success. Maybe I’m dramatic, probably am.

When you look at the man, you feel a sort of sympathy for where he has placed himself. His face is a look of innocent shock, mouth agape, eyes bulging and raised eyebrows. The man has become a boy again, unsure of what will happen next. The blue shirt helps us sympathize with the character, but also makes the man appear young and innocent.

One thing in this painting that I am completely unsure of are the black dots. They seem to originate from the left side of the man’s face, as if to show the abyss he is slowly falling into. The black dots in the white space are the beginnings of the darkness that will soon surround the man.

“If time frightens us, this is because it works out the problem and the solution comes afterwards.”

So the man is wearing a watch with a t-shirt, so either he is trying to look good or he really cares about time. Trying to figure out why my dad put that watch in the painting has taken me some time. With movies, books or paintings, I’ve always been curious whether the artist/author/movie director does every little thing for a “symbol” or some things are just done because, why not? In this instance, i have decided that my dad placed the watch in there for a reason.

The watch and falling at the same time makes me immediately think “your time is up”.

The falling coinciding with the watch signifies to me that time is up, that the man has lost his chance for life as he knows it, as he is heading to his demise. He can’t save himself, he was given warnings, and he ignored them. We cannot see where he is falling, nothing but a white abyss of nothingness. But nothingness may be a worse punishment than hell for this man. Because when he is by himself, alone, he has to face himself. He realizes that he is his own problem, the world has its own problems sure, but he was the one that led himself to his own demise.

So now what? Is the man in our painting’s life over? The painting does not show anything for the man to grab, no way to get back up to reality or life. But I guess we could suppose there are a couple alternatives. The color of the shirt for the man is blue, a calming and peaceful color. Imagine if the shirt color had been red, the character would be harder to be sympathetic to. The character’s facial expression shows a shock towards his current fate. His mouth is agape and his eyes are bulging with raised eyebrows. The face is gentle and innocent, as if the man has become clueless.

“Only it takes time to be happy. A lot of time. Happiness, too, is a long patience.”

 

Carter Atchison

Woman at the Well

The Woman at the Well

Scripture Reference: John 4: 1-42

During the time of this actual event, Jews traveling through the Samaritan area would go around Samaria and avoid contact as they despise the Samaritans. The unnamed woman that comes to the well where Jesus was waiting, came, on purpose, at a time of day that others from her town would not be there (the heat of the day). Due to her questionable lifestyle, this Samaritan woman was an outcast among her own people who were themselves to the Jews… an outcasts among the outcasts.

In this practical, verbal exchange with her about getting a drink of water and how to draw it…

Jesus answered, “Everyone who drinks this water will be thirsty again, but whoever drinks the water I give them will never thirst. Indeed, the water I give them will become in them a spring of water welling up to eternal life.”

God has placed a “thirst to know and worship Him” in us all – he was offering her a relationship with her creator, which would satisfy that thirst for the rest of her life here on earth and into eternity. She did not know who Jesus was though she did know about the Messiah and about God and worship… “religion”. But, not about Relationship, which is what Christianity really is. She immediately replies with; “Sir, give me this water so that I won’t get thirsty and have to keep coming here to draw water.” (which further illustrates that she still hadn’t gotten the message).

Jesus’ response to her “give me this water” may seem really odd and out of place, a big change of subject even. “Go, call your husband and come back.” Strangely enough, this was needed to help her along and was not a 180, out of the blue response. This started a dialog that revealed who Jesus really was. It made her examine her life and what she as “filling herself with to satisfy that deep thirst” with and it was the approval of males instead of the loving approval of God.

I painted this painting to be around the time she “gets it” and runs off, towards her town where she was an outcast, leaving the water jug there at the well (a metaphor to me about leaving her old thirst/life) to go tell the good news she was now so filled with!

I hope you enjoyed the painting and commentary,

Chris Cook

 

 

 

Untitled on Purpose

This painting is titled “Untitled on Purpose” – on purpose. I have found that most folks that see this painting have some unique idea of what it is and what it means, if not, they will ask me about what it means.

I will give you some ideas about how this work came to being, but don’t want to give too much of my thoughts, as I have really enjoyed hearing from you all. Go see some of what I am talking about when this painting was posted to my Facebook page – https://www.facebook.com/ChrisCookTheArtist/posts/1422255384578492

I spend quite a bit of time just searching for interesting images on several royalty free photo depository websites, or sometimes while looking for a photo for a new website that I am building, I just stumble upon a photo that captures something inside of me and drag it into a folder on my computer called “2 Paint”.

I found an image of a woman in a house dress looking out a screen door… that is the spark that set this – what I think is – one of my most inspired paintings of late. (I had been praying for real inspiration for quite a while before finding the core inspiration in that photo). I pulled the image down and started playing with it in Photoshop a little, extending it wider… then I left it alone for a while.

Later on, in looking through that folder of images that I had saved, I thought about the scripture where Jesus made the statement “many who are first will be last, and many who are last will be first” (Matthew 19:30). As this woman in her surroundings seemed somewhat poor, maybe a little scared – staring ahead at something we can’t see, I felt it an interesting start for a painting. When Jesus is talking about this in that verse, I think He was speaking about eternity – after the second coming. That had me searching for “Second Coming” paintings from the past and I found a few that I could use as imagery in the outdoors of this painting.

All the other elements in the painting, like the black cat, industrial clock, the time on the clock, the strange lights on the wall, the light switch, power plug, television, what is on the tv screen, fly swatter, the “seemingly see through door” with a crucifix behind it… were all added on as I continued to paint. This painting was on and off my easel for several months. You can see the results in the painting below or here on my website –

Love to hear your thoughts on this work, I am always amazed and inspired by them.

Thank you,

Chris Cook

Rich Young Ruler

RELATED SCRIPTURES:
Matthew 19:16-22
Matthew 6:21
1 Timothy 6:10
James 5:1-6

In all of these passages, the Bible seems to discussing our attitude about money and how it can capture and swallow us up. Paul clearly says “the LOVE of Money” not “Money” is the root of all kinds of evil.

First, we should eliminate what He did not mean. Jesus was not teaching that the way to get to heaven is to live a life of poverty in this world. Scripture is clear that salvation is by grace through faith, not of works and independent of one’s financial status. The rich aren’t always last in heaven, and the poor aren’t always first. Nor will believers who enjoy wealth and prestige on earth be required to somehow be abased in heaven. Earthly rank will not automatically translate into an inverse heavenly rank. (from this blog)

A good example that illustrates that earning money and becoming wealthy is not always a sentence of being a slave to money is Rick Warren, author of The Purpose Driven book series – who began to reverse tithe, giving 90% away and keeping the 10%.

The rich young man claimed to be righteous, and so wanted to know what thing to do to guarantee eternal life. He thought the kingdom could be earned this way. Jesus’ response was designed to probe how righteous he actually was–did he obey the letter of the law only, or the spirit as well?–and to show him the true way to eternal life. The instruction to sell all and follow Christ was designed to reveal that the man treasured his earthly possessions more than the heavenly hope. (source)

Matthew 6:21 – For where your treasure is, there will your heart be also.

In the painting I wasn’t trying to make any statement what so ever about money; the love for money, being rich, judging others on how much or little money they have… What I was wanting to conceptualize was – when we “walk away” from an important encounter/event/situation, we often look back as we walk away… sometimes we figuratively look back many years later, in our minds… either way, I painted Jesus still standing there waiting, ready to have us back!

A few more things about the painting itself. You would assume that “a rich young ruler” would be adorned in jewelry and fine clothes as he approached Jesus, I painted him as Jesus sees him without the worldly adornment. I painted a subtle frame around the rich young ruler to symbolize the self as center of the world. He is walking into the darkness away from the light, his leg is already going dark.

Thank You,
Chris Cook

 

 

Symbols Are Universal

I do more research and thought – letting them gel over time – more than preparatory sketches commonly seen in an artists working style. In the case of this painting called “Disciples Flee” I was, at the time, researching symbols in Christian art. I was also preparing for “Every Time I Feel The Spirit” – a solo exhibit at the Madison-Morgan African-American Museum in Madison, GA – and was searching the Bible for mentions of Africa and Africans.

All this came together wonderfully, no mystery there as I have found with my spiritual works. I had been thinking about how scary it would have been right after the public execution of their teacher, master, friend. These men were in shock, dealing with grief, guilt for abandonment, and had no clue what to do. I tried to capture, quickly, a moment of panic for these three men, looking over their shoulders, avoiding eyes, darting between buildings in a courtyard. I roughed in the main “bulk” of the figures but with no reference yet of “the environment/background” I left it for several months and would occasionally put it back on my easel and work on the main figures. The initial roughed in outlines were thick and bold and I decided I liked it and started coloring in around the initial lines. Still no background, just a few lines to show the horizon line and indication of a building.

Then, I found a website that had these wonderful West African – Adinkra Symbols, see below.

Wow, these four symbols and there meanings represent what these three men really needed at that time; (GYE NYAME) God is Supreme and in charge fully at all times, (NSOROMMA) they are a child of Heaven – guardianship, (NYAME BIRIBI WO SORO) God is in heaven giving us hope and lastly (NKONSONKONSON) that they are united as the human chain and in Christ.

Once seeing these, reading about these symbols and there meanings, I dropped the idea entirely on a realistic background and started painting in the symbols, treated the environment in a more graphic style, applied more of that same style to the three men – and that is how this painting came to being!

I sincerely hope that you enjoy a little glimpse into the internal, conceptual thought processes and then the steps, transformation methods of the physical work of art.

Chris Cook

 

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Pop Up Gallery for Christmas 2019

Carter Atchison along with Tori Pirtle of Madison, GA teamed up to present the art of Chris Cook in an empty store front offered to Chris by the store owner. The storefront had been empty for several years – but this Christmas season, Carter Atchison and Tori Pirtle headed the project from picking art to hang, all the social media, marketing, adding all art to Etsy for sale planning a Soirée to invite everyone for a preview.

New paintings were created for this temporary gallery and many works not seen in any exhibits by the artist were selected so that our faithful attendees will see new, unseen works.


Below are some of the social media work from Carter Atchison and Tori Pirtle created…

We are pleased to announce the opening reception for “Holiday Pop Up Gallery” on Friday, December 13th from 5-8pm. The exhibition is being hosted by Ishmael Bowman and features art work from local artist Chris Cook.

Enjoy the art work and refreshments such as wine, beer, and assorted snacks. Part of the proceeds will go to benefit Companion Animal Rescue, a nonprofit organization.

Check out some of the artwork that will be on display at https://www.etsy.com/shop/ChrisCookArtist

AND

The Pop Up Gallery is officially open! Come visit from 12-4pm Tuesday-Saturday, and we’ll be opening at 10am this Saturday for the Tour of Homes!

 

There only a few days left for viewing this body of work – come down to 207 W. Jefferson Street in downtown Madison, GA across from Town Park. If it seems closed – look at the sign on the front door to contact Carter Atchison for a viewing.

Thank You,

Carter Atchison

Vietnam War Paintings

This painting is something different for Chris since it is watercolor versus his normal acrylic paintings. However, I feel like the use of watercolor is appropriate for this subject matter. If Chris had used acrylic, the painting would be brighter and almost more cheerful. The use of watercolor makes the art more blended and subdued, almost mimicking the emotions that the soldiers felt while they were in Vietnam (missing family, tiredness, loneliness, fear, etc.). I also feel like that this use of medium makes it almost look historical and not a freshly created work of art due to the brown wash/tint on it.

The look in the main soldier’s eye is why I chose to write about this painting. He almost has a look of hope that he will get to go back home to his loved ones. His face also shows that he is tired and worn out from his time in Vietnam. Chris truly represented what a solider’s face would have looked like during this time period. I would like to see Chris paint more pieces similar to this but in different time periods, wars, etc. For example, it would be interesting to compare this soldier with one during WWII or the Cold War. They would all have similar emotions yet their surroundings and uniforms would differ.

Chris did paint two other watercolor paintings related to this one. They look like they belong to a set, but they are all so different due to the various tasks that the men are doing. I feel like these paintings showcase the numerous jobs that a solider has to do while “on the job”. It also shows the emotions that run through their heads due to the expressions on their faces. I’m glad Chris painted these because it is something different and new than his previous works, and it serves as a nice contrast.

-Tori

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O’keeffe Dream

This painting was created by Chris for the Farm show here in Madison. He decided to paint 5 different paintings in 5 different ways, and Georgia O’keeffe’s style was one that he picked. This painting truly embodies the way in which Georgia O’keeffe painted. The deer skull mimics that of “Ram’s Head”; in addition, the colors and swirling patterns in the background are also similar between the two paintings. However, Chris creates his own Madison, Georgia spin on the painting. Instead of the painting being reminiscent of New Mexico, it truly gives a country, rustic feel that a farm represents. What’s more rustic than a deer skull? In addition, the silos are gray and mundane, yet the green grass makes them pop. The red beneath the silos reminds me of rusted metal that you often find on buildings in rural areas.

I also feel like the juxtaposition of the gray and blue in the background is representative of a storm passing, and the blue clear sky is coming into focus. This clear blue sky seems more hopeful and happy to me rather than the dreary gray clouds.

This painting just stands out to me for some reason, but I can’t place a pin on exactly why. The colors are so vivid and bright, and I believe this might be part of the reason.

-Tori

 

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Three Worlds: Heaven, Earth & Hell

Three Worlds: Heaven, Earth & Hell

This painting took a while to paint; it has complexity and depth. The viewer has to take some time to pull it all in, but the idea for this painting only took a question from my youngest son to take life.

On our way home from church one Sunday, Elijah, our youngest child leaned forward from the back seat and asked, “Dad, have you ever painted the three worlds?”

We had been to see several really interesting Marvel movies together including Thor and Avengers: Infinity War, and I thought at first he meant something from those movies like Thor and Asgard or the many worlds visited in Avengers: Infinity War. But, it was a simple question from what he has learned from being in church, Confirmation, Youth and Sunday School, he meant Heaven, Earth and Hell.

The very next time in my studio, I selected a tall and narrow canvas and divided it into three sections. I did a small sketch and came up with the main compositional element designed to draw the viewers eye in certain directions and in certain ways to get them through the main idea of the three worlds that I had in my mind once he asked the question. Stay with me a little longer. I made a zig zag shape taking through the three sections.

In the upper right, I placed God, from Michelangelo’s Sistine Chapel fresco, in the Creation section, where God is reaching down almost touching his beloved creation, Adam. He reaches down into the Earth section (mid left) of my painting and instead of Adam, he is touching “the second Adam”, Jesus. Jesus being here on earth in human form, his death and resurrection were known from the beginning but took place on our earth at a specific time on earth. Pretty monumental to us here on earth.

At Jesus on the cross we see Judas on his hands and knees reaching down in the the third section, Hell, to get his silver for betraying Jesus, but in this painting, he is drawn to and receiving his silver directly from the Devil himself. This chain of real events and compositional elements takes you quickly through all three worlds. I used the “serpent” facing back to the left to push your eye back into the painting again. After that, you are on your own to look where you want and take in all the detail.

I mixed the use of famous and more obscure vintage and renaissance paintings with elements/characters/figures that I just made up in my imagination (like Judas – just added it from imagination of a man on his knees and what that may look like).

A few more details you may want to look for:

In Heaven, I have Peter & Paul in the middle under Jesus’ feet. The Jesus with the nail holes in his hand with the earth as his foot stool came from an older painting called Christ the Redeemer. I added Elijah (after the our son for sure – as he sparked the painting with his question) on the left, Abraham is hard to see but just to the right of the two angles looking down at the central figure of Jesus. Moses is on the right with the ten commandments behind his shoulder.

In Earth, I painted themes like Love, Music, Worship, animal and plant life along with us humans – but a tank for war, people fleeing and those of us that are simply just too busy to really think about anything more than our immediate lives. I do have pieces like the flying German planes coming up from Hell.

In Hell, I worked in a mix of things that came to my mind along with references in the Bible about Hell. For instance, the Bible had Jesus saying “I tell you the truth, it is hard for a rich man to enter the kingdom of heaven. Again I tell you, it is easier for a camel to go through the eye of a needle than for a rich man to enter the kingdom of God.” AND “Not everyone who says to me, ‘Lord, Lord,’ will enter the kingdom of heaven, but only the one who does the will of my Father who is in heaven.” Some things there came from renaissance painting references as well as things that I personally consider evil, that have caused much suffering and unnecessary loss of life and the grief that comes from that.

Hope you will take the time to really study this painting and “thank you little buddy for the awesome question you asked that got this whole thing started!”

-Chris

 

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