When you hear this quote, you instantly thing of Dug the talking dog from Up, but what quote makes you think of Carl Fredrickson? Not many come to mind, but he still remains a pivotal character within the plot. Up would not be the same movie without the tear-jerking opening scene of Carl and Ellie building a life together. Carl is then left alone to mourn his departed wife. Throughout the entire movie, I always viewed Carl as more of an elderly, grouchy character who saw Russell and Dug as a nuisance. Chris Cook paints Carl though not as an elderly man who has liver spots and gray hair but as the young boy that he once was looking through the eyes of the man he has become. Carl never lost his childlike innocence as he grew older, and this is why he has to see South America even if Ellie can’t be there with him. What better way to see the world than by tying thousands of balloons to your house. This non traditional approach to reach his goal proves that he is not as old as he seems because what elderly man would think to tie balloons to his house? Thus, I feel like this painting completely embodies Carl as the individual he is inside and out. The bright background reflects his childlike tendencies, and he has a little smile on his face. Most of the time in the movie, he looks cold and upset, yet there seems to be some happiness hidden deep within. Chris has hit the nail on the head by painting Carl in a different light that accurately reflects his personality and undying need for adventure.
By painting Carl in this manner, Chris has proven that not all people (and characters) are black and white. People have many different facets of their identity that they wish to expose and others that they want to remain hidden. This painting proves that you should never judge someone solely on how they are on the outside; you have to see past the exterior to truly see the actual character of the person. What kind of movie would Up be if Carl was just a coldhearted, stuck in his ways, old man who wanted nothing to do with adventure?
Remember, adventure is out there, and there is always something or somewhere worth exploring!
Here is one of my favorite paintings… really love the concept of taking a Picasso painting of a Spanish tragedy and using the painting look and style to tell the story of Jack Ruby shooting Lee Harvey Oswald on Television on the 60s.
This is the third and largest version of the painting I have made. It is 6 foot wide and 4 foot tall.
First I used the 9 grid system to transfer the underlying composition/drawing. Here I have started roughing in the painting… getting the figure and ground separated.
This next image you can see that I am defining the characters faces and bodies and making the background more solid.
Below I have added more details. The background is more formed. Notice some of the earlier details were whited out to start over.
Below is the finished painting.
This painting is not for sale – I may be dreaming, but… my idea is to donate this to the Georgia Museum in Athens, Georgia or the Morris Museum in Augusta, Georgia.
I have had questions over time about how I work (how an artist works really). I do sometimes take quick snap shots of different points I get to in a painting. I am doing a little series of posts that will show some of the stages a single painting goes through as I develop a work. I do have different starting points… sometimes pencil sketches on paper, or a small painting on paper first before going to a larger format. But, like with the example below of “Matthew Listening by Candlelight” I started with an overall wash of a dull color. After it dried, I took a smaller brush and dipped it in some left over brown and started drawing from a photo reference right on the canvas.
The next day, I went out to my studios and mixed brown and dark blue together to make a near black and with a pretty wide, flat brush laid in all the darkest parts away from the imaginary candle light source. (the photo reference was a man sitting outside in bright daylight). I used a mix of yellow oxide and gray to dab at the highlights.
After that, I used the three previous color mixes and filled in the rest of his face. Finally a sloppy wet mix of medium dark to tone the entire canvas down giving it the old candlelight look!
Carter is Chris’ son. He’s an avid soccer player, and an active member of the youth group at the local Methodist Church here in Madison.
Chris used acrylic paint on canvas to capture a glimpse of Carter for the family collection. I think that he did a great job of getting the essence of Carter’s personality in this portrait. I have greatly enjoyed getting to know Carter over the last 2.5 years that I have been back in town. One of the first things that anyone who spends more than a few minutes with him will begin to notice is his smile and his laughter. Simply put, Carter is a happy guy, and one that would do anything to help anyone.
I can think of no better way to have captured this memory of Carter than to have him in full smile, teeth showing and all! That’s the great thing about art – its all about capturing one moment, one memory, one point in time, one emotion. So many of Chris’ paintings do this so well, colors, expressions, styles, and placements draw the view into the painting and into that moment in time. This truth holds particular strength in a lot of Chris’ spiritual paintings like the one of the healed blind man.
Art is all about capturing a moment. Moments in time are fleeting, and it’s important that we find a way to make them last and impact our lives fully, before they are gone forever. Do you have a favorite moment in time or history that has been captured in a work of art?
Chris Cook is a premier southern artist and owner of Madison Studios, a web design, maintenance, and e-commerce and marketing company. For his artist biography, contact information, or to view more of his work, click HERE.