When you drive through scenic Madison, Georgia, you constantly see crops growing alongside the road no matter what time of year it is. During the summer though, all you see is corn growing high as it can reach. Thus, I felt like it was only fitting to write about this piece.
For me, summertime always means spending time with family and also eating really good food. Corn is one of those foods that always tastes better when it’s fresh and in-season, and this picture represents this for me. In addition to the corn also being an important part of this painting, the man is also representative of something bigger than himself. Chris paints him in a way that proves that he has been a farmer for many years. The wrinkles on his brow and face show what happens when worry overcomes this farmer when the crops don’t grow quite as well as they need to. Also, the farmer’s skin color and texture proves that he is in the heat and sun day after day looking after these crops. To me, this man and his corn crop is representative of the lifestyle that many have in small, southern towns like Madison. There are lots of farmers who make their living and support their families based on their crops. Without them, Madison would not be the same town. I am very appreciative for people like this farmer because without them, we would not have fresh produce in our stores or on our tables. The food doesn’t just magically appear in the grocery stores. Someone has to put in their own time and effort to produce these foods, and most of the time, this is not an easy task.
This painting also proves that it is important to support local companies and buy local because it directly benefits your community. So why not buy local?
When you hear this quote, you instantly thing of Dug the talking dog from Up, but what quote makes you think of Carl Fredrickson? Not many come to mind, but he still remains a pivotal character within the plot. Up would not be the same movie without the tear-jerking opening scene of Carl and Ellie building a life together. Carl is then left alone to mourn his departed wife. Throughout the entire movie, I always viewed Carl as more of an elderly, grouchy character who saw Russell and Dug as a nuisance. Chris Cook paints Carl though not as an elderly man who has liver spots and gray hair but as the young boy that he once was looking through the eyes of the man he has become. Carl never lost his childlike innocence as he grew older, and this is why he has to see South America even if Ellie can’t be there with him. What better way to see the world than by tying thousands of balloons to your house. This non traditional approach to reach his goal proves that he is not as old as he seems because what elderly man would think to tie balloons to his house? Thus, I feel like this painting completely embodies Carl as the individual he is inside and out. The bright background reflects his childlike tendencies, and he has a little smile on his face. Most of the time in the movie, he looks cold and upset, yet there seems to be some happiness hidden deep within. Chris has hit the nail on the head by painting Carl in a different light that accurately reflects his personality and undying need for adventure.
By painting Carl in this manner, Chris has proven that not all people (and characters) are black and white. People have many different facets of their identity that they wish to expose and others that they want to remain hidden. This painting proves that you should never judge someone solely on how they are on the outside; you have to see past the exterior to truly see the actual character of the person. What kind of movie would Up be if Carl was just a coldhearted, stuck in his ways, old man who wanted nothing to do with adventure?
Remember, adventure is out there, and there is always something or somewhere worth exploring!